Scavenger Hunts

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Two sixty-five-foot replicas of the oyster schooners that worked this coast under sail, and you get to help haul the halyards.
Photo: Aaron ManningCC BY 3.0
Before engines, the Mississippi Sound was worked by sail, and the boat that did the work was a two-masted schooner with a shallow draught, a wide open deck and a great deal of canvas. Hundreds of them operated out of Biloxi, dredging and tonging oysters and running them to the canneries. Photographs from around 1900 show the waterfront thick with masts. Locally they were called the white-winged queens, which sounds like a tourist-board invention and is not one.
The design followed the water. The Sound is shallow, so the hull draws very little and carries a centreboard rather than a deep keel. The cargo was heavy, wet and shovelled, so the deck is flat and uninterrupted. There was no money for engines and no need for them when the wind is free and the run from the reefs to the factory is a few miles, so the rig is big, simple and worked by a small crew.
Two of them sail from Point Cadet today. Glenn L. Swetman and Mike Sekul are sixty-five-foot replicas, built in the late 1980s and the 1990s respectively and named after men from the Biloxi seafood industry. They are owned and run by the Maritime & Seafood Industry Museum, they are working sailing vessels rather than display pieces, and passengers are expected to lend a hand on the halyards.
A public sail runs a couple of hours out on the Sound, with the Biloxi shoreline, the bay bridge and the casino towers from a viewpoint you cannot get any other way. The engine goes off once the sails are set, and what you are left with is water noise, the rigging working and a boat leaning gently in a breeze that has been pushing boats around this Sound for three hundred years.
Sailings are seasonal, weather-dependent and booked through the museum. Nothing about them is guaranteed on a given afternoon.
The schooner pier sits at Point Cadet at the eastern end of the Biloxi peninsula, beside the Maritime & Seafood Industry Museum and within a short walk of the Golden Nugget.
Driving from the main casino strip, follow US 90 east until the road reaches the Biloxi Bay bridge, then take the turning down onto the Point and follow the signs to the museum. From Ocean Springs, cross the bridge westbound and it is the first turning. There is parking at the museum.
Arrive with time in hand. A sailing vessel casts off when it casts off, and there is no holding the boat for a late passenger; fifteen to twenty minutes of margin is sensible, more on a weekend when the Point Cadet parking fills.
If you are staying at the east end you can walk here. From the middle of the beach road it is a five to ten minute drive, and in August that is the right call.
Every feature of a Biloxi schooner is an answer to a local problem, which is why the type does not look like a New England fishing schooner and does not sail like one.
The Sound is shallow — much of it around twenty feet and a great deal of it far less — and the oyster reefs are shallower still. A deep-keeled boat cannot get to the work. So the hull is broad and flat with very little draught, and a centreboard drops through the middle to give it something to grip the water with when sailing to windward. Raise the board and it will float in water you could stand up in.
The cargo shaped the deck. Oysters come aboard wet, heavy and in bulk, and they get shovelled. That wants a flat, clear working deck with the accommodation kept small and low, which is exactly what you get: a boat that is nearly all deck and almost no cabin.
The rig is two masts, fore-and-aft, with large simple sails a crew of a few men could handle. There is no sophistication in it. It is a lot of canvas over a shallow hull, designed to move weight across sheltered water quickly and cheaply.
Engines ended it. Once a marine engine became affordable, a boat that could work regardless of wind beat one that could not, and by the early twentieth century the fleet had converted or been replaced. The type effectively vanished within a generation.
Both boats are replicas, not survivors, and the museum is straightforward about that. The originals were working craft built of wood on a hot coast, worked hard and then abandoned when they stopped paying; almost nothing of the fleet survived.
Glenn L. Swetman came first, in the late 1980s, and Mike Sekul followed in the 1990s. Each is about sixty-five feet, two-masted, and built to the lines of the boats that worked here. Both names belong to men from the Biloxi seafood industry, which is the correct way to name a boat in this city — you name it after a person everybody on the waterfront knew.
They are sailed rather than exhibited. That means a professional skipper, volunteer crew, real running rigging and passengers who get asked to haul on a halyard when the sails go up. It also means the ordinary constraints of a sailing vessel: no sailing in a thunderstorm, no sailing in too much wind, and occasional time out of the water for maintenance, which on a wooden-hulled replica is not optional.
If both boats are in commission you may see them out together, and there are days in the year when they race each other. Photographs of two gaff-rigged schooners on the Sound with casino towers behind them are the single most Biloxi image available.
You board at the schooner pier at Point Cadet, at the eastern tip of the peninsula. The boat motors clear of the harbour, then the engine stops and the sails go up, and that is the moment everyone remembers — a working sailing vessel is remarkably quiet.
The Sound does not do big water. In ordinary conditions this is flat, sheltered sailing with a steady breeze, which makes it a good introduction for anybody nervous about seasickness and a mild disappointment for anybody hoping for drama. On a brisk afternoon the boat heels and moves properly.
The view is the payoff. You see the city as it was designed to be seen, from the water: the lighthouse in the gap in the skyline, the casino towers along the beach road, the bay bridge to Ocean Springs, shrimp boats working, and pelicans and dolphins about as often as not.
Practicalities. There is no shade on deck to speak of and no way to get out of the sun for two hours, so a hat and sunscreen are not optional between May and September. Facilities on board are minimal — treat it as a small boat, not a ferry. Take a light layer, because the breeze that makes it sail also makes it cool at sunset. And take the sunset sailing if one is running, because the light across the Sound at that hour is the best thing about this coast.
Sailings are seasonal and weather-dependent, and both of those matter more here than they would for a coach tour. Thunderstorms build over this coast on summer afternoons, small-craft advisories cancel trips outright, and between June and November a tropical system can close the operation for a week.
Book through the museum rather than turning up at the pier, and book ahead for weekends. Public sailings are a modest cost and there are private charters for groups, but the pattern of what runs on which day changes between seasons and we do not publish times here for that reason.
Who it suits. Children from about six upwards generally love it, especially if they get a rope to pull. Younger than that, two hours on an open deck with nowhere to go is a long time. Anyone with mobility limitations should call ahead: boarding is over a gangway onto a working deck with no lift and no step-free route, and the museum will tell you honestly what is possible.
Who should skip it. Anybody expecting a sightseeing cruise with a bar and commentary. This is a sailing boat crewed largely by volunteers, and the pleasure of it is the boat itself.
Operators run these trips past Biloxi Schooners, or stop there as part of a longer route. We list what the booking data supports — not everything that mentions the name.
Some links below go to Viator, our booking partner. We earn a commission on bookings made through them — at no extra cost to you, and with no influence on what we recommend.
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Museum

Canneries, schooners, net-making and the Vietnamese shrimp fleet: the museum that explains why Biloxi is here at all.
1.5–2.5 hoursA modest admission charge for adults, with lower rates for children, students and seniors. Schooner sailings are priced separately.320 ft away
Neighbourhood

The headland where the canneries stood for a century and where Mississippi's coastal casino era began in 1992.
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A two-masted sailing workboat built for the Mississippi Sound: broad, flat-decked, drawing very little water and carrying a centreboard instead of a deep keel, so it could work the shallow oyster reefs and still sail to windward. Hundreds operated out of Biloxi into the early twentieth century, carrying oysters to the canneries. Locally they were known as the white-winged queens. Engines made them obsolete within about a generation.
Yes. The Maritime & Seafood Industry Museum owns two sixty-five-foot replicas, Glenn L. Swetman and Mike Sekul, and runs public sailings from the schooner pier at Point Cadet. They are working sailing vessels rather than display pieces, so passengers are usually invited to help haul on a halyard when the sails go up. Book through the museum and expect a couple of hours on the water.
No, and the museum does not pretend otherwise. They are replicas built to the lines of the originals — Glenn L. Swetman in the late 1980s and Mike Sekul in the 1990s — because almost nothing of the working fleet survived. These were wooden boats worked hard in a hot, wet climate and abandoned when they stopped earning. Both replicas are named after figures from the Biloxi seafood industry.
Not reliably. Sailings run seasonally, concentrated in the warmer months, and they cancel for wind, lightning and tropical systems. Summer thunderstorms build over this coast in the afternoons, and between June and November a named system can suspend operations for a week. The boats also come out of the water periodically for maintenance, which a wooden-hulled replica genuinely needs. Check the current schedule before fixing your dates.
From about six upwards, usually yes, and a child who gets handed a rope to pull will remember it. Below that, two hours on an open deck with nowhere to move to is a long stretch. There is no shade on board, facilities are minimal and the boat is a boat, not a ferry, so bring hats, sunscreen and water. The sheltered Sound means seasickness is rarely a problem.